{"id":638,"date":"2015-03-12T11:47:23","date_gmt":"2015-03-12T10:47:23","guid":{"rendered":"https:\/\/ericazanney.com\/?p=638"},"modified":"2025-07-28T11:45:56","modified_gmt":"2025-07-28T09:45:56","slug":"une-satire-sociale-qui-pond-des-emotions","status":"publish","type":"post","link":"https:\/\/www.ericazanney.com\/index.php\/critique-et-journalisme\/une-satire-sociale-qui-pond-des-emotions\/","title":{"rendered":"Une satire sociale qui pond des \u00e9motions"},"content":{"rendered":"
La compagnie Olayitan th\u00e9\u00e2tre \u00e9tait en parfaite symbiose ce samedi 13 d\u00e9cembre 2014 avec le public de l\u2019institut fran\u00e7ais de Cotonou. C\u2019est le spectacle \u00ab\u00a0Les pondeuses de boucs\u00a0\u00bb r\u00e9alis\u00e9 de l\u2019\u00e9criture jusqu\u2019\u00e0 la repr\u00e9sentation par de jeunes artistes b\u00e9ninois qui, dans un proc\u00e9d\u00e9 humoristique, ont su mettre en lumi\u00e8re des banalit\u00e9s qui co\u00fbtent \u00e0 la soci\u00e9t\u00e9 africaine.<\/p>\n
Le public a pleur\u00e9 de rire. C\u2019est l\u2019histoire de Ladji (jou\u00e9 par Cyriac Batcho), un sexag\u00e9naire qui attendait en vain une prog\u00e9niture m\u00e2le. Na\u00efmath son \u00e9pouse vient de donner vie \u00e0 leur quatorzi\u00e8me enfant qui sera aussi une fille \u00ab une orange \u00bb de plus et non \u00ab une banane \u00bb. L\u2019attente devenait longue et Ladji est de plus en plus la ris\u00e9e de son entourage, notamment de sa cour o\u00f9 Ablawa (jou\u00e9e par Mariam Darra), la femme de son jeune fr\u00e8re ne cesse d\u2019alimenter les m\u00e9disances et comm\u00e9rages. Ladji d\u00e9cide de prendre une seconde \u00e9pouse, une jeune fille plus \u00ab fraiche \u00bb \u00e0 m\u00eame de lui pondre \u00ab le bouc \u00bb qui lui fait tant d\u00e9faut. Avec l\u2019aide et la participation muscl\u00e9e de son oncle, les parents de Foussena (Nelly Zinsou), la jeune fille de 15 ans, ont donn\u00e9 leur avis favorable \u00e0 ce mariage arrang\u00e9. Fouss\u00e9na attend un enfant de Ladji. Stress g\u00e9n\u00e9ral, pri\u00e8re et pri\u00e8re. Puis coup de th\u00e9\u00e2tre ! La grossesse est d\u00e9j\u00e0 \u00e0 terme et Foussena en travail. L\u2019attente est remplie de suspens et de quiproquo. Dans cette atmosph\u00e8re, Ladji lancera que la grossesse que porte \u00ab enfin \u00bb Ablawa n\u2019est pas celui de son fr\u00e8re. Accusation que la mise en cause ne nie pas. Elle acquiesce plut\u00f4t et r\u00e9v\u00e8le que l\u2019auteur de sa<\/p>\nde gauche \u00e0 droite ladji et l\u2019oncle Chitou<\/figcaption><\/figure>\n
grossesse est le m\u00eame que celui de la grossesse dont on attend impatiemment le fruit. C\u2019est Chabi, un jeune du village. Chabi l\u2019ancien copain de Foussena alors Modji. On vient annoncer la naissance de l\u2019enfant et le tr\u00e9pas de sa m\u00e8re. C\u2019est un gar\u00e7on. \u00ab\u00a0Le bouc\u00a0\u00bb est l\u00e0 mais non seulement \u00ab\u00a0 la pondeuse ne pourra pas l\u2019\u00e9lever, Ladji ne pourra en confirmer la paternit\u00e9.<\/p>\n
Bienvenue en Afrique\u00a0!<\/em><\/strong><\/p>\n
Du d\u00e9cor \u00e0 la r\u00e9gie-son, passant par le costume et le jeu d\u2019acteur, ce spectacle est une chronique des vices et r\u00e9alit\u00e9s caract\u00e9ristiques des soci\u00e9t\u00e9s africaines. La sc\u00e8ne se pr\u00e9sente comme un champ de d\u00e9sordre. Des pagnes s\u00e9ch\u00e9s sur des murs (de circonstance), des v\u00eatements au sol p\u00eale-m\u00eale, des bassines\u2026 Musique mandingue en fond sonore, t\u00eates couvertes de foulard chez les femmes. Nous sommes en milieu musulman. L\u2019accent des salamalecs et leur dur\u00e9e en dit long et plonge le spectateur dans cette oralit\u00e9 qui l\u2019incarne<\/p>\n
Avec la plus grande banalit\u00e9, l\u2019auteur et le metteur en sc\u00e8ne touchent les lacunes des mentalit\u00e9s. L\u2019obsession de Ladji \u00e0 avoir un\u00a0 gar\u00e7on comme pour signifier l\u2019impotence ou la non-repr\u00e9sentativit\u00e9 de la fille \u00a0donne \u00e0 voir le regard qui est port\u00e9 sur la femme dans cette soci\u00e9t\u00e9. Et en arri\u00e8re-plan, on peut d\u00e9celer le probl\u00e8me de planning familial. 15 ans de vie de couple et 14 accouchements. Le comm\u00e9rage sportivement aliment\u00e9 par Ablawa qui peut passer toute sa journ\u00e9e \u00e0 traiter de la situation de Ladji pendant qu\u2019elle-m\u00eame fait face dans son foyer \u00e0 l\u2019inefficacit\u00e9 sexuelle de son homme, l\u2019infertilit\u00e9 de sa semence, de surcroit. \u00a0L\u2019infid\u00e9lit\u00e9\u2026Et le public ne finissait pas d\u2019applaudir.<\/p>\n
Le spectacle et son public<\/em><\/strong><\/p>\n
Les six com\u00e9diens ont donn\u00e9 de l\u2019\u00e9motion aux spectateurs, pendant la repr\u00e9sentation de ce spectacle, une \u00e9criture de Hurcyle Gnonhoue mis en sc\u00e8ne par Sedoha Didier Nassegande. Que ce soit Th\u00e9\u00e2tre de dialogue parsem\u00e9 de codes linguistique et gestuels (que le public arrive \u00e0 d\u00e9chiffrer), \u00abLes pondeuses de boucs\u00a0\u00bb est un spectacle dans lequel l\u2019oralit\u00e9 r\u00e8gne en ma\u00eetre. De r\u00e9guli\u00e8res expressions relevant de l\u2019interf\u00e9rence linguistique confirment que \u00e7a se passe dans des milieux pr\u00e9cis ou du B\u00e9nin ou d\u2019un quelconque pays africain mais surtout sah\u00e9lien. Il faut d\u00e9j\u00e0 se demander pourquoi \u00ab\u00a0boucs\u00a0\u00bb pour parler d\u2019enfants et \u00ab\u00a0pondeuses\u00a0\u00bb pour d\u00e9signer les m\u00e8res. Le bouc c\u2019est le m\u00e2le de la ch\u00e8vre. Et le verbe \u201cPondre\u2019\u2019 sugg\u00e8re la volaille. Cette m\u00e9taphore zoologique renvoie \u00e0 l\u2019image peu m\u00e9liorative de l\u2019esp\u00e8ce humaine et am\u00e8ne \u00e0 reconsid\u00e9rer la mani\u00e8re de percevoir l\u2019homme en g\u00e9n\u00e9ral mais la femme en particulier dans les soci\u00e9t\u00e9s africaines. Un message v\u00e9hicul\u00e9 par l\u2019humour qui frise m\u00eame le sarcasme. La simple apparition de l\u2019Oncle (jou\u00e9 par Giovanni Houansou)\u00a0 fait d\u00e9j\u00e0 rire le public qui est tr\u00e8s amus\u00e9 par la d\u00e9marche, l\u2019accent et le costume de ce personnage qui laisse transparaitre le peulh, le bouvier.\u00a0 Ce public se montrait, pour le moins, tr\u00e8s int\u00e9ress\u00e9 et donnait son consentement au fur et \u00e0 mesure, sans croire devoir attendre la fin du spectacle pour applaudir. \u00a0C\u2019est sans doute sa mani\u00e8re de vivre la catharsis. Mais une inqui\u00e9tude pour le metteur en sc\u00e8ne\u00a0: On peut \u00eatre tent\u00e9 de se demander si cette r\u00e9ception du spectacle ne varierait pas d\u2019un public \u00e0 un autre, selon les diff\u00e9rences socioculturelles. Et si c\u2019est le cas, ce spectacle pourrait avoir de limite \u00e0 tourner. Dans tous cas de figure, il aura le m\u00e9rite d\u2019aborder des questions de soci\u00e9t\u00e9 et de faire vendre une culture.<\/p>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"
La compagnie Olayitan th\u00e9\u00e2tre \u00e9tait en parfaite symbiose ce samedi 13 d\u00e9cembre 2014 avec le public de l\u2019institut fran\u00e7ais de Cotonou. C\u2019est le spectacle \u00ab\u00a0Les pondeuses de boucs\u00a0\u00bb r\u00e9alis\u00e9 de l\u2019\u00e9criture jusqu\u2019\u00e0 la repr\u00e9sentation par de jeunes artistes b\u00e9ninois qui, dans un proc\u00e9d\u00e9 humoristique, ont su mettre en lumi\u00e8re des banalit\u00e9s qui co\u00fbtent \u00e0 la…<\/p>\n","protected":false},"author":1,"featured_media":1642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"default","_kad_post_title":"default","_kad_post_layout":"default","_kad_post_sidebar_id":"","_kad_post_content_style":"default","_kad_post_vertical_padding":"default","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critique-et-journalisme"],"yoast_head":"\n
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